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American Surfaces

French Kiss, by Anders Petersen
The Color of Loss, by Dan Burkholder
Developing Vision & Style, edited by Eddie Ephraums
Northern Expsoures, by Chris Steele-Perkins
Becoming, by Michelle Sank
The Water's Edge, by Michelle Sank
The Old Order and The New: PH Emerson and Photography
Motherland, by Simon Roberts
The Black House, by Colin Jones
A Few Streets, A Few People, by John Comino-James
The British Landscape by John Davies
Unseen UK: A book of photographs by the people at Royal Mail
American Surfaces: Photographs by Stephen Shore
A Different Light, by Richard Heeps
Tumulus, by John Miles
Dan Holdsworth, a Photoworks Monograph
Harry Callahan: The Photographer at Work, by Britt Salvesen
Reflections, by Norman Forster
Golden Gate, Richard Misrach
Family: Photographers Photograph their Families
Scotland’s Coast: A Photographer’s Journey, Joe Cornish
Augustus F Sherman: Ellis Island Portraits 1905–1920
Earthsong, Bernhard Edmaier
Paul Strand: Southwest
Fear This, Anthony Sau
Walker Evans: The Hungry Eye
Many Are Called, Walker Evans
Teenage, Joseph Szabo
The Fat Baby: Stories by Eugene Richards
Homes Fit for Heroes: Photographs by Bill Brandt 1939–43
Tina Modotti & Edward Weston: The Mexico Years, Sarah M Lowe
Time in space: photographs by Chrystel Lebas
René Burri Photographs, Hans-Michael Koetzle
Markings: Sacred Landscapes from the Air, photographs by Marilyn Bridges
Josef Sudek: Poet of Prague, A Photographer’s Life
Consuming the American Landscape, by John Ganis
Landscape: The world’s top photographers and the stories behind their greatest images, by Terry Hope
Aquarium: Photographs by Diane Cook and Len Jenshel
360° Imaging: The photographer’s panoramic virtual reality manual, by Philip Andrews
The Scots: A Photohistory, by Murray MacKinnon and Richard Oram
Twins, photographs by Mary Ellen Mark
Fine Art Photography: Creating Beautiful Images for Sale and Display, by Terry Hope
The Photoshop Book for Digital Photographers, by Scott Kelby
Home Photography: Inspiration on your doorstep, by Andrew Sanderson
The Photographer’s Website Manual, by Philip Andrews
The History of Japanese Photography, by Anne Wilkes Tucker, Dana Friis-Hansen, Kaneko Ryuchi and Takeba Joe
Revelation: Representations of Christ in Photography, by Nissan N Perez
Photoshop for Photography: The Art of Pixel Processing, by Tom Ang
Soma, by Andreas Gefeller
Carlo Mollino Polaroids
Edward Weston: A Legacy, by Jennifer A Watts

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What Shores?
American colour photography of the 1970s onwards seems to have been rediscovered in the UK in recent years. Rediscovered, that is, by a nod of acknowledgement, then moving on. I refer to the half-arsed Deutsche Börse Photography Prize, set up to encourage new talent, but which habitually shortlists veterans such as Stephen Shore, and then presents the award to someone else. American Surfaces contains Shore's most famous body of work, a New Yorker's document of the aspirations of Middle America, made in the early 1970s, beginning with a drive across the US to Amarillo, in 1972. During that first trip he was a car passenger, but later in the year he set off again, this time on his own, taking with him a Rollei 35, an early compact-style 35mm camera. He returned to New York laden with cassettes of exposed film and took them for processing at the local Kodak laboratory. American Surfaces comes packed in a facsimile Kodak processing envelope, just as Shore's prints were returned to him. The images are reproduced chronologically, in state-by-state sections, captioned only with the name of the town in which they were taken. It is said that the work follows in the tradition of Walker Evans and Robert Frank, which may be true from the documentary angle, but the prime significance is in Shore's use of colour. Colour is integral to every single frame in this book: whether it is a record of the mundane motel rooms Shore stayed in, the unappetising meal he was about to consume, or the grubby toilet pan he prevaricated over... the houses, billboards or unidentified folk he encountered along the way. Dodgy haircuts, consumer signage, beds overdue for new sheets, gas-guzzlers and over-stuffed refrigerators.... The whole is a record of a particular era in modern American history that provides insight into the America of today, a record that is unlikely ever to be surpassed. If you have ever wondered what makes 'American colour photography' an identifiable genre, then just a glance through these pages will make everything crystal clear.

American Surfaces: Photographs by Stephen Shore, published by Phaidon, £35, ISBN 0-7148-4507-8.

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