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Northern Exposures

French Kiss, by Anders Petersen
The Color of Loss, by Dan Burkholder
Developing Vision & Style, edited by Eddie Ephraums
Northern Expsoures, by Chris Steele-Perkins
Becoming, by Michelle Sank
The Water's Edge, by Michelle Sank
The Old Order and The New: PH Emerson and Photography
Motherland, by Simon Roberts
The Black House, by Colin Jones
A Few Streets, A Few People, by John Comino-James
The British Landscape by John Davies
Unseen UK: A book of photographs by the people at Royal Mail
American Surfaces: Photographs by Stephen Shore
A Different Light, by Richard Heeps
Tumulus, by John Miles
Dan Holdsworth, a Photoworks Monograph
Harry Callahan: The Photographer at Work, by Britt Salvesen
Reflections, by Norman Forster
Golden Gate, Richard Misrach
Family: Photographers Photograph their Families
Scotland’s Coast: A Photographer’s Journey, Joe Cornish
Augustus F Sherman: Ellis Island Portraits 1905–1920
Earthsong, Bernhard Edmaier
Paul Strand: Southwest
Fear This, Anthony Sau
Walker Evans: The Hungry Eye
Many Are Called, Walker Evans
Teenage, Joseph Szabo
The Fat Baby: Stories by Eugene Richards
Homes Fit for Heroes: Photographs by Bill Brandt 1939–43
Tina Modotti & Edward Weston: The Mexico Years, Sarah M Lowe
Time in space: photographs by Chrystel Lebas
René Burri Photographs, Hans-Michael Koetzle
Markings: Sacred Landscapes from the Air, photographs by Marilyn Bridges
Josef Sudek: Poet of Prague, A Photographer’s Life
Consuming the American Landscape, by John Ganis
Landscape: The world’s top photographers and the stories behind their greatest images, by Terry Hope
Aquarium: Photographs by Diane Cook and Len Jenshel
360° Imaging: The photographer’s panoramic virtual reality manual, by Philip Andrews
The Scots: A Photohistory, by Murray MacKinnon and Richard Oram
Twins, photographs by Mary Ellen Mark
Fine Art Photography: Creating Beautiful Images for Sale and Display, by Terry Hope
The Photoshop Book for Digital Photographers, by Scott Kelby
Home Photography: Inspiration on your doorstep, by Andrew Sanderson
The Photographer’s Website Manual, by Philip Andrews
The History of Japanese Photography, by Anne Wilkes Tucker, Dana Friis-Hansen, Kaneko Ryuchi and Takeba Joe
Revelation: Representations of Christ in Photography, by Nissan N Perez
Photoshop for Photography: The Art of Pixel Processing, by Tom Ang
Soma, by Andreas Gefeller
Carlo Mollino Polaroids
Edward Weston: A Legacy, by Jennifer A Watts

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Mine fields
Northern Exposures began five years ago as part of a project on Durham’s former coalfields instigated by Newcastle’s Side Gallery and it has been continually added to in recent years whenever the opportunity arose for its author, Chris Steele-Perkins, to drive back to the North East. Although he grew up at the other end of the country, his career as a photographer began in the North East after his time at Newcastle University: his first solo exhibition documented Newcastle’s annual fair, the Hoppings, where seemingly dozens of travelling fairs congregate on the city’s Town Moor during July race week, the highlight of which is the Northumberland Plate, commonly known as the ‘Miners’ Derby’. The mining villages of the North East grew up along roads through farmland and open country; when Britain had a mining industry the cottages and the land were owned by the then National Coal Board. Although the mines are no more, Steele-Perkins was struck by the continuing relationship between the locals and the land, and in particular their animals. Whether these be horses and hounds, racing pigeons, hunting dogs, ferrets and polecats. He describes his intention as wanting, “to document these ways, and rituals of a life lived in the open, under the sky,” and the images as, “a partial record, and a personal exploration, which serves as both eulogy and elegy.” He is determined that they not be seen in a sentimental light, but as an objective document of what remains, and what is changed and lost. Changing attitudes are summarised by the final image in the book: a bleak moorlandscape where, in the foreground by the side of a cross-Pennine road, stands a dumped dishwasher. But most of his images are upbeat and affectionate while, at the same time, recording ways of life that seem ultimately destined to fizzle out, inevitably snuffed by urbanisation, legislation and social change. As Steele-Perkins concludes: “In the end the guardians of the countryside are those who live off it. It is they who know it best and understand that for all its damaged beauty it is what remains to us of Eden.”

Northern Exposures, by Chris Steele-Perkins, is published by Northumbria University Press at £15.00,
ISBN 978-1-904794-20-2.

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