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The Photographer’s Website Manual

French Kiss, by Anders Petersen
The Color of Loss, by Dan Burkholder
Developing Vision & Style, edited by Eddie Ephraums
Northern Expsoures, by Chris Steele-Perkins
Becoming, by Michelle Sank
The Water's Edge, by Michelle Sank
The Old Order and The New: PH Emerson and Photography
Motherland, by Simon Roberts
The Black House, by Colin Jones
A Few Streets, A Few People, by John Comino-James
The British Landscape by John Davies
Unseen UK: A book of photographs by the people at Royal Mail
American Surfaces: Photographs by Stephen Shore
A Different Light, by Richard Heeps
Tumulus, by John Miles
Dan Holdsworth, a Photoworks Monograph
Harry Callahan: The Photographer at Work, by Britt Salvesen
Reflections, by Norman Forster
Golden Gate, Richard Misrach
Family: Photographers Photograph their Families
Scotland’s Coast: A Photographer’s Journey, Joe Cornish
Augustus F Sherman: Ellis Island Portraits 1905–1920
Earthsong, Bernhard Edmaier
Paul Strand: Southwest
Fear This, Anthony Sau
Walker Evans: The Hungry Eye
Many Are Called, Walker Evans
Teenage, Joseph Szabo
The Fat Baby: Stories by Eugene Richards
Homes Fit for Heroes: Photographs by Bill Brandt 1939–43
Tina Modotti & Edward Weston: The Mexico Years, Sarah M Lowe
Time in space: photographs by Chrystel Lebas
René Burri Photographs, Hans-Michael Koetzle
Markings: Sacred Landscapes from the Air, photographs by Marilyn Bridges
Josef Sudek: Poet of Prague, A Photographer’s Life
Consuming the American Landscape, by John Ganis
Landscape: The world’s top photographers and the stories behind their greatest images, by Terry Hope
Aquarium: Photographs by Diane Cook and Len Jenshel
360° Imaging: The photographer’s panoramic virtual reality manual, by Philip Andrews
The Scots: A Photohistory, by Murray MacKinnon and Richard Oram
Twins, photographs by Mary Ellen Mark
Fine Art Photography: Creating Beautiful Images for Sale and Display, by Terry Hope
The Photoshop Book for Digital Photographers, by Scott Kelby
Home Photography: Inspiration on your doorstep, by Andrew Sanderson
The Photographer’s Website Manual, by Philip Andrews
The History of Japanese Photography, by Anne Wilkes Tucker, Dana Friis-Hansen, Kaneko Ryuchi and Takeba Joe
Revelation: Representations of Christ in Photography, by Nissan N Perez
Photoshop for Photography: The Art of Pixel Processing, by Tom Ang
Soma, by Andreas Gefeller
Carlo Mollino Polaroids
Edward Weston: A Legacy, by Jennifer A Watts

Building book
Here’s a good idea for a book. It is written by Philip Andrews who is a former lecturer at North-East Surrey College of Technology and a colleague of Ag’s own digital specialist Tim Daly. It’s a good idea because the internet is a brilliant way for photographers to display and promote their work – but I don’t think this particular ‘good idea’ quite comes off. The book works well in explaining the logic behind site design and the various technicalities – such as graphics file formats – that need to be understood in order to create an efficiently-functioning website. Where it falls down is in trying to embrace all the mainstream software tools (and some less than mainstream) for the creation of web graphics and the pages that will display them. It falls between two stools. The processes of site creation are explained using a single piece of software as the example; this is all well and good if that happens to be the software you have opted for, but otherwise can be unhelpful. Had the process been treated simply as a logical route from A to B without getting too far into a specific software package, it would have been easier for the reader to relate the advice to his/her own tools. To cover every piece of software available in a book that covers this much ground would be unrealistic; but this middle route taken between basic and comprehensive is neither fish nor fowl. There is a section covering packages for creating graphics and pages, and more space could have been given here to highlighting the pros and cons of each. Quite rightly the software described is limited to the products that are designed for those with little or no skill in programming HTML. Overall this will be a very useful book for internet virgins, but it won’t allow you to hit the ground running. At £16.95 the price is very reasonable, however, as books in this sector tend – like a lot of software – to be pricey.

The Photographer’s Website Manual, by Philip Andrews, published by RotoVision, £16.95, ISBN 2 880467 13 6.

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